OCAD U School of Continuing Studies presents an online exhibition showcasing artworks from participant in the Children's Book Illustration Studio and Bookbinding Studio courses. The exhibition regards visual storytelling and wonder as a bridge to the minds of children young and old. The eight featured artists create uplifting works forged with humour, fantasy, and curiosity. From shooting stars to hungry racoons, they explore nature, urban landscapes, and daily life.

Gillian McLellan

Gillian McLellan is a mixed-media illustrator who explores colour and textures through a combination of pencil crayons, gouache, ink, watercolour and more. Her artworks are inspired by the landscape around her, and by her experiences as an anxious and sensitive child, who is now a teacher of anxious and sensitive students. Gillian believes in strength in softness, and strives to create work that expresses gentleness, calmness and whimsy.

McLellan studied illustration at the Kingston and Ottawa Schools of Art, the Ontario College of Art and Design and the Emily Carr University of Art and Design. The relationship between art and community is important to her, and she enjoys participating as an artist in events that celebrate communities across South-Eastern Ontario.

The Story of Taliesin, 2022, digital, 5 x 4.5 inches © Gillian McLellan, courtesy of the artist
The Story of Taliesin, 2022, digital, 5 x 4.5 inches ˝ Gillian McLellan, courtesy of the artist

 

The Wolves, 2022, mixed media (gouache and pencil crayon), 3.5 x 6.5 inches © Gillian McLellan, courtesy of the artist
The Wolves, 2022, mixed media (gouache and pencil crayon), 3.5 x 6.5 inches © Gillian McLellan, courtesy of the artist

 

The garden fills with rain, 2023, mixed media (gouache and pencil crayon), 3.5 x 6.5 inches © Gillian McLellan, courtesy of the artist
The garden fills with rain, 2023, mixed media (gouache and pencil crayon), 3.5 x 6.5 inches © Gillian McLellan, courtesy of the artist

 

I’m listening, 2022, mixed media (gouache, watercolour, pencil, ink, collage), 5x6.5 inches © Gillian McLellan, courtesy of the artist
I’m listening, 2022, mixed media (gouache, watercolour, pencil, ink, collage), 5x6.5 inches © Gillian McLellan, courtesy of the artist

 

Discovery, 2022, mixed media (ink and gouache), 4.5x6.5 inches © Gillian McLellan, courtesy of the artist
Discovery, 2022, mixed media (ink and gouache), 4.5x6.5 inches ˝ Gillian McLellan, courtesy of the artist

Steph Schofield

Steph Schofield is an acrylic painter exploring colourful, contemporary, Canadian landscapes. Her illustrative style captures small town Ontario. Her Muskoka scenes depict a ‘modest’ Muskoka experience, all references are from public access beaches, parks and roadsides. She lives in Muskoka, ON with her wife, dog & cat.

It was a Wednesday, 2025, acrylic on canvas, 24 x 18 inches © Steph Schofield, courtesy of the artist
It was a Wednesday, 2025, acrylic on canvas, 24 x 18 inches ˝ Steph Schofield, courtesy of the artist

 

Night Light, 2025, acrylic on canvas, 12x12 inches © Steph Schofield, courtesy of the artist
Night Light, 2025, acrylic on canvas, 12x12 inches ˝ Steph Schofield, courtesy of the artist

 

Newcomers, 2025, acrylic on canvas, 20x20 inches © Steph Schofield, courtesy of the artist
Newcomers, 2025, acrylic on canvas, 20x20 inches ˝ Steph Schofield, courtesy of the artist

 

Violet Vibes, 2025, acrylic on wood, 12 x 16 inches © Steph Schofield, courtesy of the artist
Violet Vibes, 2025, acrylic on wood, 12 x 16 inches ˝ Steph Schofield, courtesy of the artist


Steph Schofield is an acrylic painter exploring colourful, contemporary, Canadian landscapes. Her illustrative style captures small town Ontario. Her Muskoka scenes depict a ‘modest’ Muskoka experience, all references are from public access beaches, parks and roadsides. She lives in Muskoka, ON with her wife, dog & cat.

Saundarya Ganesh

Saundarya Ganesh, also known as Sammy, is a visual artist based in Canada. Originally from India, her work sits at the intersection of design, history, and the natural world. With an academic foundation in textile design and further studies in graphic design and illustration, Sammy’s practice is a synthesis of rigorous technical discipline and painterly expression.

Her style is deeply driven by storytelling, bridging the gap between traditional illustration and fine art. By weaving together a designer’s eye for pattern with an atmospheric love for light, she creates compositions that feel both timeless and contemporary. This aesthetic is informed by the classical forms of the Renaissance and the soft brilliance of Impressionism—influences that manifest in her detailed botanical studies and paintings of historical subjects.

Sammy’s work often explores the "unspoken stories" of people and the intricate details of the organic world. Her background in textiles remains a constant thread in her art, visible in the tactile quality of her acrylics and the delicate, rhythmic layering of her watercolors.

The Commuter, 2025, screen print on paper, 4.5 x 3.5 inches © Saundarya Ganesh, courtesy of the artist
The Commuter, 2025, screen print on paper, 4.5 x 3.5 inches ˝ Saundarya Ganesh, courtesy of the artist

 

How I Build a Dam, 2025, art graph and charcoal on paper, 4.5 x 6 inches © Saundarya Ganesh, courtesy of the artist
How I Build a Dam, 2025, art graph and charcoal on paper, 4.5 x 6 inches ˝ Saundarya Ganesh, courtesy of theartist

 

Wine Label Design Concept for Bonny Doon Vineyard, 2025, fine-liner and watercolor on paper © Saundarya Ganesh, courtesy of the artist
Wine Label Design Concept for Bonny Doon Vineyard, 2025, fine-liner and watercolor on paper ˝ SaundaryaGanesh, courtesy of the artist

Tamara Holman

Tamara Holman graduated with a BFA in Drawing and Painting at OCAD U and remained in Toronto dabbling in the world of fine art, illustration, and some classical animation for a time before discovering her second passion, working with children. She earned a diploma in Early Childhood Education in 2015 and has spent the bulk of the last eleven years working in the early learning environment. Her experiences as an ECE and being a mother of two children, ages seven and nine, has inspired the subject matter of her illustrations.

“The biggest impact OCAD had on my approach to drawing is that it is not just about the end-product; it’s about process. Humanity is not always meant to be immaculately represented; sometimes it’s a mess that looks like rough, textured lines, smears, or off centred scuffs on a page. In this way, drawing and life are inseparable. I feel this whether I am sketching with a pencil and paper, working on a comic strip in Procreate, or watching a toddler freely make marks on a surface. It’s the desire to capture life and all its beautiful imperfections that keeps me growing as an artist.”.

Just One Bite, 2023, Ink and whiteout, 9 x 12 inches © Tamara Holman, courtesy of the artist
Just One Bite, 2023, Ink and whiteout, 9 x 12 inches ˝ Tamara Holman, courtesy of the artist

 

Happy Easter, 2025, Acrylic, 9x12 inches © Tamara Holman, courtesy of the artist
Happy Easter, 2025, Acrylic, 9x12 inches ˝ Tamara Holman, courtesy of the artist

 

Haliwood North #10, 2026, Digitally drawn and painted in Procreate © Tamara Holman, courtesy of the artist
Haliwood North #10, 2026, Digitally drawn and painted in Procreate ˝ Tamara Holman, courtesy of the artist

Nancy Yang

Nancy Yang is a software engineer based in Toronto who came to bookbinding through OCAD U's School of Continuing Studies in 2024. Trained in precision and structure, she found in bookbinding a tactile counterpart to her digital work, a craft where logic and beauty meet at the fold.

As the course progressed, Nancy worked across a range of historic binding structures—accordion folds, pamphlet stitch, German long stitch, Coptic sewing, concertina, and laced cord bindings—treating each technique as a language of artistic expression with the printed typeface as its basic syllable.

Found materials, pages from literary journals, art magazines, and ribbons from cosmetics packaging are inventively woven into her bookbinding projects. By thoughtfully selecting, cutting, and binding magazine spreads as the folds of the bound books, she invites viewers to interpret the unexpected combinations of images and text as they fall into place.

For Nancy, bookbinding is an act of attentiveness - to material, to tradition, and to the quiet persistence of the handmade in an age of screens.

German Long Stitch and Accordion Folds, 2024, drawing paper, print paper, cardboard, 11.5 × 14 cm (German Long Stitch), 10 × 10 cm cover / 8 × 120 cm folds (Accordion Folds) © Nancy Yang, courtesy of the artist
German Long Stitch and Accordion Folds, 2024, drawing paper, print paper, cardboard, 11.5 Å~ 14 cm (German LongStitch), 10 Å~ 10 cm cover / 8 Å~ 120 cm folds (Accordion Folds) ˝ Nancy Yang, courtesy of the artist

 

Concertina, 2024, drawing paper, magazine pages,14 x 19 cm © Nancy Yang, courtesy of the artist
Concertina, 2024, drawing paper, magazine pages,14 x 19 cm ˝ Nancy Yang, courtesy of the artist

 

Laced Cord Bindings, 2024, drawing paper, magazine pages, ribbons from cosmetic packaging, 14.5 x 19 cm © Nancy Yang, courtesy of the artist
Laced Cord Bindings, 2024, drawing paper, magazine pages, ribbons from cosmetic packaging, 14.5 x 19 cm ˝Nancy Yang, courtesy of the artist

 

Folded Book, 2024, drawing paper, magazine pages, 12 x 12 cm © Nancy Yang, courtesy of the artist
Folded Book, 2024, drawing paper, magazine pages, 12 x 12 cm ˝ Nancy Yang, courtesy of the artist

Saretta Khan

Saretta Khan is a multidisciplinary graphic designer/artist with a deep passion for painting and mixed media art. She recently completed the OCAD U School of Continuing Studies and ArtWorksTO Cohort 2023 program, which allowed her to refine her skills and deepen her love for painting.

Saretta enjoys experimenting with various art forms, including textile art, embroidery, watercolor, oil painting, acrylics, and more. Currently, she is focusing on portrait painting using both oil and acrylic mediums, and she continues to experiment with different styles, applying her knowledge of color theory, textures, and blending techniques.

Her art is influenced by diverse cultures and environments. She draws inspiration from the places around her, whether urban or natural, which impacts her choice of colors and subjects. She is also fascinated by how visual elements can convey ideas and emotions.

The King eating Chocolate, 2024, pen and Ink, illustration inspired by the poetry “The King of Bombardia” written by Sukumar Ray © Saretta Khan, courtesy of the artist
The King eating Chocolate, 2024, pen and Ink, illustration inspired by the poetry “The King of Bombardia” written bySukumar Ray ˝ Saretta Khan, courtesy of the artist

 

The King playing the baritone, 2024, pen and Ink, illustration inspired by the poetry “The King of Bombardia” written by Sukumar Ray © Saretta Khan, courtesy of the artist
The King playing the baritone, 2024, pen and Ink, illustration inspired by the poetry “The King of Bombardia” writtenby Sukumar Ray ˝ Saretta Khan, courtesy of the artist

 

Comic Strip of ‘Abol Tabol’ which means The Weird and the Absurd, 2024, pen and Ink, Photoshop to add text bubble, illustration inspired by the poetry “The King of Bombardia” written by Sukumar Ray © Saretta Khan, courtesy of the artist
Comic Strip of ‘Abol Tabol’ which means The Weird and the Absurd, 2024, pen and Ink, Photoshop to add textbubble, illustration inspired by the poetry “The King of Bombardia” written by Sukumar Ray ˝ Saretta Khan, courtesyof the artist

Mary Li Lim

Mary Li Lim is inspired by travel, languages, and nature. Based in Toronto, her work is influenced by cultural exchange and everyday experience to connect across cultures.

Her practice focuses on creativity, community, and the essence of everyday life, expressed through illustration and layered compositions. She blends digital and traditional methods; mainly working in Procreate with layered drawings, textured brushes, and soft and vibrant colors to render depth and warmth.

Ville d'Étoile (City of Stars), is inspired by Lim’s solo travels in Japan and Europe. The story follows a young artist and highlights creativity, kindness, and hope, showing how patience and dedication support personal growth and community. The shooting star symbolizes possibility, encouraging children to believe in their talents and find joy in art, nature, and connection.

Mary Li’s goal is to encourage curiosity, cultural awareness, and connection through storytelling and illustration for all ages.

Ville d’Étoile #1, 2025, Procreate on iPad, 2000 x 1378 pixels © Mary Li Lim, courtesy of the artist
Ville d’Étoile #1, 2025, Procreate on iPad, 2000 x 1378 pixels ˝ Mary Li Lim, courtesy of the artist

 

Ville d’Étoile #2, 2025, Procreate on iPad, 2000 x 1378 pixels © Mary Li Lim, courtesy of the artist
Ville d’Étoile #2, 2025, Procreate on iPad, 2000 x 1378 pixels ˝ Mary Li Lim, courtesy of the artist

 

Ville d’Étoile #3, 2025, Procreate on iPad, 2000 x 1378 pixels © Mary Li Lim, courtesy of the artist
Ville d’Étoile #3, 2025, Procreate on iPad, 2000 x 1378 pixels ˝ Mary Li Lim, courtesy of the artist

 

Ville d’Étoile #4, 2025, Procreate on iPad, 2000 x 1378 pixels © Mary Li Lim, courtesy of the artist
Ville d’Étoile #4, 2025, Procreate on iPad, 2000 x 1378 pixels ˝ Mary Li Lim, courtesy of the artist

Megan Ganter-Romaniuk

Megan Ganter-Romaniuk is a Hamilton-based visual artist, Drawing has been her passion since she was a child. The outdoors and travel are a notable influence on her work. Through her art, she expresses a passion for nature and animals. Megan was a Youth Artist in Residence at Re-Create Art Studio in 2021 and has received awards in the Arts of August Showcase at Living Rock. Megan loves to encourage youth and children to explore their creative side and imagination.

Spotted mushrooms on a hike in Mont Orford, 2021, digital painting © Megan Ganter-Romaniuk, courtesy of the artist
Spotted mushrooms on a hike in Mont Orford, 2021, digital painting ˝ Megan Ganter-Romaniuk, courtesy of the artist

 

Kerncliff Park, 2023, digital painting © Megan Ganter-Romaniuk, courtesy of the artist
Kerncliff Park, 2023, digital painting ˝ Megan Ganter-Romaniuk, courtesy of the artist

 

Spring birds chirping, 2025, digital painting © Megan Ganter-Romaniuk, courtesy of the artist
Spring birds chirping, 2025, digital painting ˝ Megan Ganter-Romaniuk, courtesy of the artist

Please be advised that OCAD U hosted events may be documented through photographs and video. These images may be used by the University for promotional, advertising, and educational purposes. By participating in our events, both on campus and off-site, you consent to allowing OCAD University to document and use your image and likeness. However, if you do not want us to use a photo or video of you or your child, please don’t hesitate to let us know when you arrive at the event. You’re also welcome to get in touch with OCAD University’s Marketing & Communications office: communications@ocadu.ca.

Be mindful of those in our community who have scent sensitivities; please help OCAD U maintain a healthy, scent-free campus.