Artist Talk: A.S.M. Kobayashi


A talk and video presentation by Alison Kobayashi (A.S.M. Kobayashi) , organized by Photo for PHOT 3022 Sequence, Multiples and Text, and INTM 2017 Hybrid Media Lab.

 

A.S.M. Kobayashi Talk poster

 

  • Wednesday, February 25, 12 pm
  • Welcome to all OCAD Community members
  • MCC 525
    113 McCaul St
  • No RSVP (First come first serve for seating)

     

A.S.M. Kobayashi’s work mines accidental recordings, discarded messages, and found objects. Drawn to materials that have an unremarkable everydayness yet are honest documents, she studiously performs a multitude of characters inspired by these found narratives. Her practice is led by a ferocious curiosity and an understanding that with time and patience she can unpack the revelations that they contain. Join Alison S. M. Kobayashi in an artist talk full of humour and sonic exploration. Follow the evolution of her twenty year career from early video art, to her performance Say Something Bunny! She'll invite you into her work in progress, Electric Neon Clock where she transforms her family’s WWII internment file into a documentary installation interweaving archival material, video, sound and immersive performance.
 


 

Artist Bio


A.S.M. Kobayashi is a multiple award-winning interdisciplinary artist whose hybrid, interactive work mixes documentary and fiction through video, performance, installation and illustration. Her critically acclaimed performance, Say Something Bunny! based on found audio recordings, was heralded as "The best new theater experience in town" by Vogue, a NYTimes critics’ pick and BOMB’s Best of Performance in 2018. Kobayashi has received nominations for a 2018 Drama Desk award and 2019 United Solo Special Award and is the recipient of the 2006 TSV Artistic Vision Award. Her video work has been exhibited internationally at museums and film festivals. She is based in Toronto and Brooklyn where she produces Special Projects at UnionDocs, Center for Documentary Art. There she collaborated on Living Los Sures, described as “one of the most comprehensive, incredible and in-depth interactive projects that we at the film society have ever seen” by New York Film Festival.
 

 


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