Marcus Gordon
Faculty of Design
magfoto (Marcus Gordon, he/him) is Assistant Professor, Tenure-Track at OCAD University, an Afrofuturist live coder, photographer, artist, and PhD candidate in Computational Arts at York University. His artistic practices include live coding performance, experimental music, composition and improvisation with modular synthesis. He is a member of the Endemics live coding ensemble, and often moonlights in behind the scenes photography. He holds an MFA in Digital Futures from OCAD University where he learned holography and began his research on the subject of the transplane image. Marcus freelanced as creative director and designer as Studio Diversity with a host of freelance designers and artists from 1999 to 2014, before focusing on computational photography and art research with the OCAD U PHASE Lab. Since beginning his doctoral studies, he continues his research with the nd::Studio Lab working on volumetric displays as visual music instruments, architectonic media intervention, live coding and hip-hop architecture. As Advisory Board Member with the Innovation Council of the Toronto Public Library, Marcus also advocates for digital literacy and creative coding in the arts and sciences. magfoto is based in Tkaronto/Toronto.
LTTP:// Transmodal image to sound synth module for live coding and performance-led research.
Published: December 31st 2022
An Astrophysicist's Tale - Electroacoustic / Live Coded Composition
Published: December 31st 2022
A program note for a live coded music composition. Source: https://www.youtube.com/watch?v=bZvPhnNOnyY
sigv: a mini-language for transmodal live coding
CVR Conference
Published: August 22nd 2022
ArtScience and the ICECUBE LED Display [ILDm^3]
MM 2021 - Proceedings of the 29th ACM International Conference on Multimedia
Published: August 22nd 2021
HCI Design Principles and Visual Analytics for Media Analytics Platform
Communications in Computer and Information Science
Published: August 22nd 2019
Compara
Encounters in Theory and History of Education
Published: December 22nd 2018
Culture Creates Bonds
Published: August 22nd 2018
User-centered taxonomy for urban transportation applications
Lecture Notes in Computer Science (including subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics)
Published: August 22nd 2018
Analyzing student travel patterns with augmented data visualizations
DIS 2017 Companion - Proceedings of the 2017 ACM Conference on Designing Interactive Systems
Published: August 22nd 2017
Visualizing the Sociotechnical System as an Urban Democratic Resource
RELATING SYSTEMS THINKING AND DESIGN (RSD6) 2017 SYMPOSIUM
Published: August 22nd 2017
Habitat 44º - The Art of Reconstruction
Published: December 31st 2016
With my thesis project, Habitat 44o, I investigate the complexity of holographic space and how holography has the potential to augment the observers’ view of their surrounding environment. The purpose of this research is to isolate unique characteristics of architecture and holography to lay the foundation for my art practice. In the field of holography, both artists and scientists alike refer to the holographic image as a “reconstruction," a shorthand for wavefront reconstruction. At the intersection of holography and architecture, I explore the critical implications of my reconstructions through the lens of Jens Schröter and his analysis of the transplane image, and through Rosalind Krauss' concept of axiomatic structures. Taking a constructivist approach, I create a holographic artwork and fabricate a spatial canvas that acts as an intervention in architectural space in order to construct a theory and practice of environmental holography.
Urban Arboretum
This research article describes an interactive art installation titled “Urban Arboretum” and the work behind its creation. The article discusses o-sigv, an instrument for transmodal live coding based on the esoteric language Orca, used to live code a series of biomes. The article also discusses plant growth algorithms created and visualized in the live coding environment Hydra. Combined, the authors and their respective live coding languages were used to deliver both a live coding performance and interactive installation with the voices and sounds of their audience.
nbcli-meta/6020: 6020
No description provided.
nbcli-meta/composition: Algorithmic Composition Experiments
Repository for research and works in algorithmic composition.
nbcli-meta/nbcli: nbcli
Repository for nbcli (nothing but CLI) meta-instrument project at https://nbcli.space
nbcli-meta/o-sigv: o-sigv
Configuration support repository for sigv: https://magfoto.itch.io/sigv
nbcli-meta/o-sigv: o-sigv
Configuration support repository for sigv: https://magfoto.itch.io/sigv
nbcli-meta/orca-max-experiments: Orca Max Experiments
No description provided.
nbcli-meta/orca-modules: $omods
Orca modules library of patterns and compositions.
nbcli-meta/rhythmus-7E5: Rhythmus 7E5
A generative audiovisual composition
nbcli-meta/schema: nbcli Schema
No description provided.
nbcli-meta/sigv.js: sigv.js
No description provided.
nbcli-meta/sigv: sigv
No description provided.
nbcli-meta/sigview: sigview
Real-Time Signal Visualization Research
PhD (ABD)
Type: Computational Arts
York University
MFA / Digital Futures
OCAD University
Assistant Professor, Tenure-Track
Type: Faculty of Design
OCAD University
Adjunct Professor
Type: Faculty of Liberal Arts and Sciences
OCAD University
Manager
Type: Visual Analytics Lab
OCAD University
Medical Holography Researcher
Type: PHASE Lab
OCAD University
Sessional Instructor
Type: Faculty of Liberal Arts and Sciences
OCAD University
Design Researcher (Intern)
Type: IBM Design
IBM (Canada)
Graduate Research Assistance (Visual Analytics Lab)
Type: Research
OCAD University
Research Assistant (PHASE Lab)
Type: Research
Ontario College of Art and Design
Digital Art Strategist/Researcher
Type: Research
Cerebral Diagnostics (Canada)
Game Design Instructor
Recording Arts Canada | Institut d'enregistrement du Canada