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Gallery Crawl 2022

On Saturday, April 2 everyone is invited to check out OCAD University’s numerous galleries, during the annual Gallery Crawl. First held in 2017, the free event gives members of the public and OCAD U’s community the opportunity to experience a diverse range of artworks and curatorial projects at venues across campus.  

Gallery Crawl attendees can expect to see hundreds of paintings, sculptures, photographs and live performances by over 50 artists across five galleries. Artists and curators will be present at each stop to share the stories behind their creative process.   

The full line-up of the 2022 Gallery Crawl can be found here.

“Many may not be aware of all the exhibition venues across the campus. The Gallery Crawl is an exciting opportunity to showcase those spaces activated with amazing exhibitions,” notes Tibi Neuspiel, Programs Coordinator for Galleries Systems at OCAD U. 

“Having the artists and curators in attendance to introduce their work to visitors makes this year’s event even more special,” he continues.

Participants are welcome to traverse the galleries on their own or join one of the guided tours, which will depart from the lobby of 100 McCaul St. at 1 p.m., 1:30 p.m. and 2 p.m. Tours will be led by members of the OCAD U Galleries Systems team including Francisco Alvarez, the Dorene and Peter Miligan Executive Director of OCAD U Galleries, Morgan Mavis, Community Coordinator at Ignite Gallery and Neuspiel. 
 
The tours will guide attendees through the following exhibition spaces: 

100 McCaul St. 

The Great Hall
This exhibition showcases photogrammetry, the art and science of taking overlapping photographs of an object, structure, or space, and converting them into digital models.

Ignite Gallery 
The exhibition Electric Circus features videos, sculpture, text and installation works by recent OCAD U graduates, Khadija Aziz, Brandon Celi, Katie Kotler and Calvin Zhang. The exhibition was curated by Morgan Mavis and Tibi Neuspiel. 

Ada Slaight Student Gallery  
An exhibition curated by Criticism and Curatorial Practice undergraduate students titled Renouncing Identity: Noticing the Unnoticed. Additional thesis exhibitions will also be on view. 
 

29 McCaul St. 

Beaver Hall Gallery
The exhibition 19 Beds is on view from March 30 to April 9 and features the work of Ronald Lam.
 

205 Richmond St. West 

Graduate Gallery
The exhibition Walking Near Water: My Relations Through Land features the work of Mary McIntyre.

Experimental Media Space
The exhibition Fragments of an Inner Child features the work of artist Vridhhi Chaudhry.

Room 118
The exhibition Black Foliage: The Culture Preservation Process of Botanical Forms Through Textiles features the work of Stephanie Singh. 
 

199 Richmond St. West 

Onsite Gallery 
Fable for Tomorrow is the first survey of works by former OCAD U faculty member Wendy Coburn and is part of CONTACT Photography Festival. Co-curated by Dr. Caroline Seck Langill, Vice-President, Academic and Provost and Faculty of Art Professor Dr. Andrea Fatona, the show presents four decades of Coburn’s creative output. 


COVID-19 Protocols

Visitors will be required to answer a COVID-19 screening questionnaire prior to entering campus buildings. A screenshot of completed questionnaires will be required for entry.  

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News Summary
Everyone is invited to tour OCAD U’s numerous exhibition spaces on April 2. Join a guided tour and see hundreds of artworks across campus.
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An abstract shape in orange on a yellow background.

Free public reception
Wednesday, January 22 from 6 to 9 p.m.

Onsite Gallery
199 Richmond St. West

CodeX: playable & disruptive futurist eArt
January 22 to April 25, 2020

Jason Baerg
Tom Barker
Rob Elsworthy
Samantha Fickel
Dennis Kavelman
Nick Puckett
Six Trends Inc.
Jane Tingley, Cindy Poremba and Marius Kintel

Curated by Tom Barker

CodeX is an exhibition of playable and disruptive digital artworks that explore human-machine relationships, and how society is influenced by technology, innovation and design.

Since the 1950s, digital and technological art has evolved and diversified into a broad range of almost magical art forms with many labels, such as: video art, internet art, post-internet art, hacktivist art, cybernetic art, algorithmic art, and information visualization art. CodeX places its artworks under the collective term, “eArt”, which embraces all of these sub-categories.

In our rapidly evolving digital age, artists and designers continue to apply creative ideas using new technologies. CodeX brings together eight recent and engaging eArt pieces. The diverse technologies and interactions raise questions about the human condition, exploring our attitudes, differences and similarities with machines. The exhibition proposes three themes to codify eArt: Algorithms, Identity, and The Nature of Reality.

The art machines in CodeX offer spontaneous carnival-like excitement while prompting visitors to reflect on the nature of being human - through sometimes playful, other times uncomfortable interactions with the works.

All art is ultimately defined by its audience. In CodeX the artworks go a stage further: they are incomplete as creative pieces without you as a player or participant.

 

 

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. Visit our website for upcoming public events. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

 

Image: Jane Tingley, Cindy Poremba and Marius Kintel, anyWare, 2018. Mixed media, 72" x 36" x 36”.

Cost
Free
Email
onsite@ocadu.ca
Phone
416-977-6000 x456
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Venue & Address
Onsite Gallery (199 Richmond St. West)
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Department
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Jane Tingley, Cindy Poremba and Marius Kintel, anyWare, 2018. Mixed media, 72" x 36" x 36”.
Poster
Jane Tingley, Cindy Poremba and Marius Kintel, anyWare, 2018. Mixed media, 72" x 36" x 36”.
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Onsite Gallery, OCAD University’s flagship professional and public gallery drew a record crowd of more than 8,000 visitors during Nuit Blanche 2019. Toronto’s nightlong celebration of art included nearly 90 art projects by more than 300 artists. Onsite Gallery’s latest exhibition, ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ Among All These Tundras, on now until December 7, 2019,

is an international group exhibition that features contemporary art by Indigenous artists from around the circumpolar world. The exhibition is curated by Heather Igloliorte, University Research Chair in Indigenous Circumpolar Arts at Concordia University, Amy Dickson, emerging curator and doctoral student in the Art History program at Concordia University and Charissa von Harringa, a PhD Researcher in Art History at Concordia University. A series of free public events are taking place during the duration of the exhibition including: Exhibition Tour with Ryan RiceimagineNATIVE Art Crawl and The Fifth Region Film Screening and Conversation.

 

 

Onsite Gallery
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Visitors at OCAD U's Onsite Gallery during Nuit Blanche
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A capacity crowd gathered to attend the opening of Onsite Gallery’s latest exhibition, ᐊᕙᑖᓂᑦ ᑕᒪᐃᓐᓂᑦ ᓄᓇᑐᐃᓐᓇᓂᑦ / Among All These Tundras. The exhibition, on until December 7, 2019, features contemporary art by twelve Indigenous artists from around the circumpolar world.

The exhibition was curated by Heather Igloliorte, University Research Chair in Indigenous Circumpolar Arts at Concordia University, Amy Dickson, emerging curator and doctoral student in the Art History program at Concordia University and Charissa von Harringa, a PhD Researcher in Art History at Concordia University.

Dr. Sara Diamond congratulated the artists and the curators, and welcomed special guests, curator Heather Igloliorte and Michèle THeriault, Director, Leonard and Bina Ellen Art gallery, Concordia University, who spoke at the opening.  

The enthusiastic crowds were particularly mesmerized by the live performance of artist Allison Akootchook Warden.

A varied series of free public events will take place during the duration of the exhibition including: a Spoken Word Performance & Writing Activity with Taqralik Partridge,

Curators’ Tour with Heather Igloliorte, Amy Dickson and Charissa von Harringa and  The Fifth Region Film Screening and Conversation.

Among All these Tundras was produced and circulated by: Leonard & Bina Ellen Art Gallery, Concordia University, with patron sponsorship by: Birch Hill Equity Partners and supported by: Canada Council for the Arts, Conseil des arts et des lettres du Québec, Social Sciences and Humanities Research Council (Mobilizing Inuit Cultural Heritage), Initiative for Indigenous Futures and Nexus Investments.

Onsite Gallery
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Among All These Tundras - Onsite Gallery
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Poster
Alison Akootchook Warden
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After an extensive search of candidates internationally,OCAD University has selected Berlin-based curator and biotechnologist Bonaventure Soh Bejeng Ndikung, PhD, as the first curator of its International Curators Residency (ICR) program. The ambitious new program, supported with a grant from Partners in Art, will be the largest of its kind in Canada. The program will stimulate curatorial research and excellence through an original exhibition at OCAD U’s flagship professional gallery, Onsite Gallery. Curated by Dr. Ndikung, the exhibition will then travel internationally to promote Canadian creators abroad. The ICR program will also create educational opportunities for the OCAD U community and the public, introducing innovative curatorial methods while advancing cultural dialogue on contemporary curatorial practice. 

“We are delighted to announce the selection of Dr. Ndikung as OCAD U’s first curator of our exciting, new International Curatorial Residency,” said Dr. Sara Diamond, President and Vice-Chancellor, OCAD University. “The opportunity to interact closely with innovative international curators will enhance the learning experience for OCAD U students and our community, while heightening international awareness of Toronto as a vibrant contemporary art community. It will build opportunities abroad for Toronto artists. We must take our talent out to the world.”

Born in Yaoundé, Cameroon, Dr. Ndikung is an independent curator, author and biotechnologist, and is the founder and artistic director of SAVVY Contemporary Berlin. He was curator-at-large for Documenta 14 in Athens and Kassel, and guest curator of the 2018 Dak'Art Biennale in Senegal. Together with the Miracle Workers Collective, he is curator of the Finland Pavilion at the Venice Biennale in 2019. Dr. Ndikung is currently guest professor in curatorial studies and sound art at the Städelschule in Frankfurt; artistic director of the 12th Rencontres de Bamako, a biennale for African photography, 2019; as well as artistic director of Sonsbeek 2020, a quadrennial contemporary art exhibition in Arnhem, the Netherlands.

Dr. Ndikung was selected from a shortlist of five international curators by OCAD U’s Curatorial Advisory Committee to develop his project titled, “The Cochlea: Sonic by Nature,” which explores sonority and auditory phenomena in a world saturated with images. 

The three-phase program will begin in January 2020, with the arrival of Dr. Ndikung for his extended residency at OCAD U. The second phase will be the presentation of an original exhibition at Onsite Gallery in early 2022, curated by Dr. Ndikung. In the third phase, the exhibition will tour internationally to a venue that will be announced at the opening of the exhibition in Toronto. 

Partners in Art will support OCAD U on phases one and three. “We are thrilled to be supporting OCAD U in its first cultural residency program. Dr. Ndikung’s international experience and vision will be an incredible asset for Toronto’s multicultural landscape and will also help promote the work of Canadian artists globally,” said Antonella Vergati, Co-President of Partners in Art.  

While in Toronto, Dr. Ndikung will participate in multiple engagements that will include visits with OCAD U classes, local studios, artists and designers, as well as public talks and dialogue with multiple cultural leaders. The program will also include symposia, workshops and publications in order to support and extend scholarly knowledge on contemporary curatorial practices in art, design and new media. 

About OCAD University OCAD University (www.ocadu.ca)is Canada’s university of the imagination. Founded in 1876, the university is dedicated to art, design and digital media education, practice and research, and to knowledge and invention across a wide range of disciplines. 

About Partners in Art Partners in Art (PIA) is a volunteer-led charitable organization that funds contemporary art projects across Canada and around the world. Since 2002, the Toronto-based PIA has raised over $4.7 million and supported 80 projects. PIA collaborates with Canadian curators, arts organizations and museums to fund projects featuring contemporary artists with challenging works and thoughtful perspectives. For more information visit www.partnersinart.ca.

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For more information, please contact:

Natalie Pavlenko Strategic Communications Officer, OCAD University 416-977-6000 Ext. 475 npavlenko@ocadu.ca

Photo: Abrie Fourie

Onsite Gallery
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Dr. Bonaventure Ndikung; photo by Abrie Fourie
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SPONSORSED WORKSHOP AT ONSITE GALLERY FOR OCAD STUDENTS 

Birchbark and Quill Workshop with Kyle Sauve of Mnaabndam Creations, Saturday, September 17, 11 a.m. to 2 p.m., Onsite Gallery, 199 Richmond St. W. 

The fundamentals of porcupine quillwork are covered in this three-hour beginner's course. Workshop participants will learn how to use the tools offered strategically, understand the various styles and uses of quillwork, and start on/complete their first piece of quilled art. The workshop centers around the different stitches and patterns within quillwork. After collaboratively working through several of the patterns together, the participants will try a small design (e.g. floral, or feather).  

Registered workshop participants will receive a free complimentary kit valued at $300 that includes the materials and tools necessary.  

Spaces are limited with priority given to Indigenous students at OCAD U. The workshop is a co-presentation and in partnership with OCAD University’s Indigenous Visual Culture program and the Indigenous Student Centre. Additional support was made possible with the generous support of OCAD University’s annual donors. 

 

To Register, please email one of the contacts below with your name, phone number, and your program year + major/minor. 

OCAD Students, please email Susan Jama (susanjama@ocadu.ca)  

Indigenous Visual Culture students, please email Susan Blight (sblight@ocadu.ca) to register. 

Indigenous Students at OCAD, please email Melissa General at the Indigenous Student Centre (mgeneral@ocadu.ca) to register.  

 

About Kyle Sauve

A person working on artwork

Artist Kyle Sauve is a Rama First Nations band member who primarily works with quills and birch bark. Kyle began experimenting with porcupine quills in March 2020, during the initial stages of the Covid-19 pandemic. Without access to traditional teachers, he struggled to gather information about this art form. Following a few months of trial and error, Kyle began to grasp the fundamental principles of quillwork. 

Eventually, Kyle was able to connect with a number of talented Indigenous artists by establishing an online presence through various social media platforms, most notably Burl Tooshkenig of Sweetgrass and Cinnamon, who assisted him in expanding into various traditional mediums such as caribou hair tufting, and sweetgrass. 

Kyle's goal, now that he has amassed a wealth of knowledge from a variety of sources, is to meaningfully contribute to the revitalization of quillwork art form through educational opportunities for Indigenous people. 

Jordan Bennett exhibition logos

Date
-
Venue & Address
Onsite Gallery
199 Richmond Street West
Cost
Free
Email
susanjama@ocadu.ca
Type
Department
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The fundamentals of quillwork are covered in this three-hour beginner’s course. Spaces are limited with priority given to Indigenous students at OCAD U. The workshop is a co-presentation and partnership with OCAD University’s Indigenous Visual Culture program and the Indigenous Student Centre. 

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Kyle S. Workshop Image
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pi'tawita'iek: we go up river Mural Launch – Call for Submission to all Indigenous OCAD U Students & Alumni
 
Onsite Gallery invites all OCAD U Students & Alumni artists who self-identify as First Nations, Inuit & Métis to participate in pi'tawita'iek: we go up river Mural Launch programming.
 

For any self-identifying Indigenous student or alumni interested in displaying/presenting/selling their artwork at pi'tawita'iek: we go up river Mural Launch, please email susanjama@ocadu.ca.

Deadline for Submission: Monday June 13, 2022 at 11:59 PM

pi'tawita'iek: we go up river Mural Launch is on Wednesday, June 15, at Butterfield Park (100 McCaul Street), from 3 PM to 5 PM.

Onsite Gallery will provide tables to artists at no cost.

About pi'tawita'iek: we go up river

pi'tawita'iek: we go up river is a large-scale outdoor mural by Jordan Bennett

pi'tawita'iek: we go up river on the south wall of OCAD University’s main campus, adjacent to Butterfield Park, will ground the space in Indigenous material culture. This new, public artwork is rooted in Bennett’s relationships with Mi’kmaq porcupine quillwork. He brings forward and reimagines their graphic patterns, bright colours and inspiring stories. In visiting with these cultural objects Bennett connects with their visual language and furthers this visual conversation through his contemporary influences and experience.

pi'tawita'iek: we go up river curated by Lisa Deanne Smith, Curator, Onsite Gallery

Qualifications: No Skills/No Qualifications Required.
 
*Please note that this is not a paid position.* 
Date
-
Venue & Address
Butterfield Park
100 McCaul Street
Cost
Free
Email
susanjama@ocadu.ca
Type
Department
Keywords
Onsite Gallery invites all OCAD U Students & Alumni artists who self-identify as First Nations, Inuit & Métis to participate in pi'tawita'iek: we go up river Mural Launch programming.
 
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Jordan Bennett St. John's Mural
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Jordan Bennett: Artist and Curators’ Conversation as part of the Mi’kmaq By Design Lecture Series - Wednesday, June 15, 12 p.m. to 1:30 p.m. at 100 McCaul St. in Room 230

Join Jordan Bennett in conversation with Ryan Rice and Lisa Deanne Smith about Bennett’s art, design and public art practice.

Click here to reserve your tickets

pi'tawita'iek: we go up river Launch - Wednesday, June 15, 3 p.m. to 5 p.m. at Butterfield Park, 100 McCaul St.

The mural, pi'tawita'iek: we go up river, curated by Lisa Deanne Smith, activates public space and in its multiple connections (to the land, between the artist and his ancestors and with our communities) widens our perception of Indigenous creativity.

Souvenir Launch - Wednesday, June 15, 5 to 7 p.m. at Onsite Gallery, 199 Richmond St. W.

A solo exhibition curated by Ryan Rice, draws upon Bennett’s intentions to visit, activate and respond to the innovative heritage embedded, woven and veiled in Mi’kmaq material culture and design.

jordan bennett exhibition logos

Date
-
Venue & Address
Artist Talk - OCAD University, 100 McCaul Street, RM. 230
Mural Launch - OCAD University, 100 McCaul Street, Butterfield Park
Solo Exhibition Launch - Onsite Gallery, 199 Richmond Street West
Cost
Free
Email
onsite@ocadu.ca susanjama@ocadu.ca
Type
Department
Keywords

Do not miss Jordan Bennett’s Artist and Curators’ Talk, Mural Launch and Solo Exhibition Launch, all happening on Wednesday, June 15, 2022.

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Jordan Bennett St. John's Mural
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Project Description

About Up Front: Inuit Public Art at Onsite Gallery

In partnership with the Inuit Art Foundation (IAF), Onsite Gallery presents Up Front, a new series of commissioned digital murals by Inuit artists. Onsite Gallery recognizes the important contributions of the Inuit art sector and is pleased to work with the IAF to support Inuit art and artists in the public realm. This new series of public art murals of digital art will be displayed on the exterior façade of the gallery. Produced in vinyl, four Inuit artists will be commissioned over two years to create these public digital art pieces. Curated by Ryan Rice, the first mural will be installed in April 2022.

The Inuit Art Foundation (IAF) is the only national organization supporting Inuit artists in all medias and geographic areas. It empowers and supports Inuit artists’ self-expression and self-determination through its many platforms, including the Inuit Art Quarterly (IAQ), Canada’s largest art magazine, the IAQ Profiles, artist services, awards, scholarships and mentorship opportunities.

Headshot of Kablusiak - a person with long black hair wearing a white t-shirt

Kablusiak

Artist Biography

Kablusiak is an Inuvialuk artist/curator who uses Inuk ingenuity to create work in a variety of mediums including, but not limited to, lingerie, soapstone, Sharpies, bedsheets, felt, and words.

Their work explores the dis / connections between existence in Inuit diaspora while maintaining family and community ties, the impacts of colonization on Inuit gender and sexuality expressions, as well as on health, wellbeing, and the everyday.

Kablusiak holds a BFA from Alberta University of Arts in Mohkinstsis, where they are currently based. Their work can be found in the collections of the Indigenous Art Centre, the Art Gallery of Alberta, and Global Affairs Visual Art Collection among others.

To learn more about Kablusiak and their work, visit their website: https://norberghall.com/portfolio/kablusiak/

logo - Onsite Gallery & IAF

Date
-
Venue & Address
Onsite Gallery
199 Richmond Street W.
Email
susanjama@ocadu.ca
Type
Department
Keywords

Up Front: Inuit Public Art at Onsite Gallery is presented in partnership with Inuit Art Foundation. 

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Left to Right: Kablusiak. Furby Ookpik, 2021, Rabbit fur, felt, fibre fill, + embroidery floss, 5.5 x 5.75 x 4.5 in. Kablusiak. Plucked Ookpik, 2021, Felt, fibre fill + embroidery floss, 5.5 x 3.5 x 5.5 in.
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Mural/Exhibition installation Assistants for Jordan Bennett, Mi’kmaq artist and designer

https://www.ocadu.ca/event/jordan-bennett

https://www.jordanbennett.ca/

Position Type: Freelance Contract

Desired Skills: Painting Muralist Installation

Description: Onsite Gallery is excited to be working with Mi’kmaq artist, Jordan Bennett on two upcoming projects.

Souvenir

A solo exhibition at Onsite Gallery with Jordan Bennett

Jordan Bennett’s solo exhibition Souvenir draws upon his inspired intentions to visit, activate and respond to the innovative heritage embedded, woven and veiled in the richness of Mi’kmaq material culture and design. His interdisciplinary and intuitive approach grants new vitality to overlooked cultural expressions that carry elaborate Mi’kmaq cosmologies interpreted through customary geometric motifs embellished in a highly valued era of porcupine quillwork and basketry souvenir trade commodities that was thriving in the 19th century. The exhibition brings together Bennett’s newly designed site-specific work, museum collection loans, and installation to celebrate the vitality and influence of Indigenous aesthetic as contemporary practice. Curated by Ryan Rice, Curator, Indigenous Art, Onsite Gallery

pi'tawita'iek: we go up river

A large-scale outdoor mural by Jordan Bennett 

pi'tawita'iek: we go up river on the south wall of OCAD University’s main campus, adjacent to Butterfield Park, will ground the space in Indigenous material culture. This new, public artwork is rooted in Bennett’s relationships with Mi’kmaq porcupine quillwork. He brings forward and reimagines their graphic patterns, bright colours and inspiring stories. In visiting with these cultural objects Bennett connects with their visual language and furthers this visual conversation through his contemporary influences and experience. Curated by Lisa Deanne Smith, Curator, Onsite Gallery

Job Description

OCAD University’s Onsite Gallery is requesting applications from current Indigenous OCAD U students and recent alumni (2018-2021). 

The selected student artists will work closely with Jordan Bennett painting the lower areas of pi'tawita'iek: we go up river and/or indoor murals and exhibition installation at Onsite Gallery as part of his Souvenir exhibition.

Qualifications

  • Painting skills
  • Please mention any mural painting skills (as possible)
  • Current Indigenous OCAD U students and recent alumni (2018-2021). For this position, “Indigenous” refers to people who self-define as a First Nations (Status or Non-status), Inuit, or Métis person of Canada. Onsite Gallery recognizes Indigenous peoples are the original inhabitants of what is now known as Toronto, which has great historical and cultural significance as a place for ceremony, gathering, trade, and exchange.

Paid: Yes

Available Positions: 3

Division: Onsite Gallery, OCAD University

Location: Toronto, Ontario, Canada

Desired Start Date: Tuesday, May 24, 2022

Duration: May 24 to June 15, 2022

Approximate Hours Per Week: Lump sum payment of $1,200 for approximately 55 hours (max.) over 3 to 4 weeks.

Payment:  $20+/per hour

Apply

Please send CV, 1 to 3 images of your artwork as well as a short cover letter describing your mural and/or painting skills as well as how you identify as Indigenous. 

Please apply via email, directly to Lisa Deanne Smith, ldsmith@ocadu.ca

Application Deadline: Monday, May 16, 2022

Date
Venue & Address
Onsite Gallery
199 Richmond St. W.,
Email
ldsmith@ocadu.ca
Type
Department
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Onsite Gallery is excited to be working with Mi’kmaq artist, Jordan Bennett on two upcoming projects.

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Jordan Bennett St. John's Mural
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