Dorie Millerson is an artist and associate professor of textiles in the Material Art & Design program at OCAD University where she has received awards for inspirational teaching and leadership (2014 and 2017). Her studio practice is primarily focused on embroidery, and she has a background in weaving, drawing, painting and photography. She has exhibited across Canada and the US, as well as in London, UK; Rijswijk, the Netherlands; Pavia, Italy; and Cheongju, South Korea. Articles about her work have appeared in periodicals such as Ateliers D’Arts; Fiberarts; Surface Design Journal; and Sculpture; as well as the books Craft & Craftivism, Vol. 2: Fibres (2025); La Dentelle dans l’art contemporain (2021); and Artistry in Fiber, Vol. 2: Sculpture (2017).

Her research focus is on craft pedagogy with particular interest in how digital craft methods are taught and practiced in higher education. Her writing has been published in RACAR: Canadian Art Review; Studio: Craft and Design in Canada; Surfacing Journal; Metal Arts Guild Magazine; and the books Digital Meets Handmade: Jewelry in the 21st Century (2021), and Crafting New Traditions: Canadian Innovators and Influences (2008).