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Friday March 18 at 1 p.m.  

This online event feature OCAD U BIPOC faculty members delivering pre-recorded, fast-paced presentations about their work and research, followed by a live Q & A. Presented by Onsite Gallery in partnership with the OCAD U Office of Research & Innovation. 

Click here to register. Zoom link will be sent to all registered viewers prior to the event. 

 

Fable for Tomorrow: A Survey of Works by Wendy Coburn 

February 16 to May 14, 2022 at Onsite Gallery 

Curated by Andrea Fatona and Caroline Seck Langill with video programming by b.h. Yael and Rebecca Garrett 

Core exhibition of the CONTACT Photography Festival 

Wendy Coburn had significant impact on the Canadian art community as an artist, educator and activist who has exhibited internationally. Fable for Tomorrow presents the first survey of Wendy Coburn’s artwork. The exhibition provides an opportunity to bring together four decades of sculpture, installation, photography and video that reveals her ability to sense the pulse of a deep present while asking us to pay attention to other futures. Coburn’s work explores representations of gender, sexualities, everyday objects, material culture, and human/animal relations. Click here for full exhibition information. 

The Estate of Wendy Coburn is represented by Paul Petro Contemporary Art, Toronto. 

Wendy Coburn’s video works are represented by Vtape; please contact distribution@vtape.org for exhibitions, rentals and purchase. 

logos: Onsite Gallery, Scotiabank Contact Photography Festival, Ontario Arts Council, Toronto Arts Council, Nexus, V Tape With additional support from: Anonymous, Jess Dobkin, Barbara Fischer, Alice Klein, Caroline Seck Langill and Angela Robertson

Onsite Gallery is the flagship professional gallery of OCAD U and an experimental curatorial platform for art, design and new media. The gallery is located at 199 Richmond St. W, Toronto, ON, M5V 0H4. Telephone: 416-977-6000, ext. 265. Opening hours are: Wednesdays to Fridays from noon to 7 p.m.; Saturdays from noon to 5 p.m. Free admission. Proof of vaccination is required for entry.

Onsite Gallery acknowledges that the new gallery construction project is funded in part by the Government of Canada's Canada Cultural Spaces Fund at Canadian Heritage, the City of Toronto through a Section 37 agreement and Aspen Ridge Homes; with gallery furniture by Nienkämper. Onsite Gallery logo by Dean Martin Design.

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Online
Cost
Free
Email
onsite@ocadu.ca susanjama@ocadu.ca
Phone
4169776000 x 265
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This online event will feature OCAD U BIPOC faculty members delivering pre-recorded, fast-paced presentations about their work and research, followed by a live Q & A. Presented by Onsite Gallery in partnership with the OCAD U Office of Research & Innovation.  

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Passing through the Heart. Immony Men and Patricio Davila (Public Visualization Studio). Squeeky Wheel (Buffalo, New York). 2021
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Winter 2022 President’s Speakers Series

Curated by President Ana Serrano, the President's Speakers Series showcases leaders in art and design who identify as Black, Indigenous and People of Colour (BIPOC) in conversation with OCAD U faculty members, sharing their international experience with our community. The series is presented by The Sherman Foundations.  
 

Sustaining Black Creativity: A conversation with Dr. Zoé Whitley 

January 11, 2022, 11 a.m. to 12:30 p.m.  
Registration is now open for this virtual event 

The first event in the series, Sustaining Black Creativity features Dr. Zoé Whitley, one of the UK’s most influential art curators.  

Dr. Whitley, whose work as an exhibition maker and art historian focuses on contemporary artists from Africa and the African diaspora, will discuss the future of Black art with Associate Professor in the Faculty of Art, Dr. Andrea Fatona. 

The free-ranging conversation will focus on sustainability in the arts community, specifically, how to build a future where BIPOC artists thrive.  

Los Angeles-born, London-based Dr. Whitley began her career examining representations of Blackness in creative industries. Today, she is a Black leader in the arts and is at the forefront of empowering diverse voices.  

In 2007, while a curator at London’s Victoria and Albert Museum, she presented Uncomfortable Truths, an exhibition that commemorated the bicentenary of the abolition of the British slave trade and examined traces of this history in contemporary art and design. 

She went on to curate Soul of a Nation: Art in the Age of Black Power in 2013, which showcased artworks by more than sixty artists in the United States, responding to the Civil Rights and Black Power movements. She is currently the Director of Chisenhale Gallery.  

Moderator, Dr. Andrea Fatona is a Tier 2 Canada Research Chair in Canadian Black Diasporic Cultural Production and is the Director of the Centre for the Study of Black Canadian Diaspora. Dr. Fatona's expertise focuses on issues of equity and representation in the arts. 
 

How to Dress a Terran Emperor:  
A Respectful Dialogue with Costume Designer Gersha Phillips 

Postponed. Please check back for new scheduled date/time (formerly scheduled for February 11, 2022 at 10 a.m)

The second event in the series, How to Dress a Terran Emperor: A Respectful Dialogue with Costume Designer Gersha Phillips features the award-winning costume designer in conversation with the Dean of the Faculty of Design, Dr. Dori Tunstall.  

The discussion will be rooted in Phillip’s experience working on a range of film and television productions including, Star Trek: Discovery and the role 3D printing and other advanced technologies play in her design process.  

Born in England to parents of Caribbean and African descent, Phillips and her family moved to Canada when she was 12 years old. Since then, she has worked in costume and wardrobe design with Hollywood's A-list including, Angela Bassett, Benedict Cumberbatch and Dwayne Johnson. She is currently working on the film, The Woman King, starring Viola Davis, set to be released in 2022.  

Her costume design work has been shown in exhibitions including Otherworldly: The Art of Canadian Costume Design at the Toronto International Film Festival (TIFF) in 2011. In 2022, her designs for Star Trek: Discovery will be on view at the Smithsonian Museum in Washington, DC. 

Together with moderator, Dr. Dori Tunstall, Phillips will address diversity and inclusion in film and television and offer tips on where design students might find professional opportunities in Toronto’s entertainment industry. 

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The initiative showcases BIPOC leaders in the creative sector.
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President's Speaker Series

OCAD U is hosting one of the UK’s most influential curators Dr. Zoé Whitley and famed Star Trek Discovery costume designer Gersha Phillips, as part of the President’s Speaker Series featuring BIPOC leaders in art and design.

Sustaining Black Creativity:
A conversation with Dr. Zoé Whitley

January 11, 2022 - 11 a.m. to 12:30 p.m. (EST)
Register for Sustaining Black Creativity: A conversation with Dr. Zoe Whitley

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Dr. Zoé Whitley
Photo Credit: James Gifford-Mead

Join us for a conversation with one of the UK’s most influential curators and cultural leaders, Dr. Zoé Whitley on the future of Black art. The free-ranging conversation will cover the sustainability of diverse talent in the arts community, including how we can support the mosaic of artistic talent, while building a future where BIPOC artists thrive, including our galleries, monuments, street art and infrastructure. This includes the present and future of expanding art history and shifting institutional frameworks for artists. The talk will be hosted by Dr. Fatona, Tier 2 Canada Research Chair in Canadian Black Diasporic Cultural Production.    

About Dr. Zoé Whitley

Dr. Zoé Whitley is an American art historian and curator who has been Director of Chisenhale Gallery since 2020. Based in London, UK, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. She is a Black leader in the arts and is at the forefront of empowering diverse voices. Her work promotes exceptional Black and BIPOC art through local activism that reverberates globally. Her research interests include contemporary artists and art practices from Africa and the African diaspora. The sustainability of diverse talent is in the minds of many in the artistic community.

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Dr. Andrea Fatona
About Dr. Andrea Fatona

Dr. Andrea Fatona is an independent curator, Associate Professor in the Faculty of Art at OCAD University and a Tier 2 Canada Research Chair in Canadian Black Diasporic Cultural Production. She is concerned with issues of equity within the sphere of the arts and the pedagogical possibilities of art works produced by Black Canadians in articulating broader perspectives of Canadian identities. Her broader interest is in the ways art, ‘culture’ and ‘education’ can be employed to illuminate complex issues that pertain to social justice, citizenship, belonging and nationhood.  She is the recipient of awards from the Canada Council for the Arts, the Ontario Arts Council, the Social Sciences and Humanities Research Council of Canada and was the 2017/18 OCAD U-Massey Fellow.

Dr. Andrea Fatona will guide Dr. Whitley in free-ranging conversation on how she thinks we can sustain the multiplicity of artistic talent, while building the future where BIPOC artists thrive, including in our galleries, our monuments, street art, and art infrastructure.

How to Dress a Terran Emperor: A Respectful Dialogue with Costume Designer Gersha Phillips

Postponed. Check back to register for newly scheduled date/time (formerly scheduled for February 11, 2022 at 10 a.m)

Join us for a conversation with winning costume designer Gersha Phillips who will discuss the thinking and making of costumes for Star Trek: Discovery and her long list of film and television credits. Topics will include the role of 3D printing and other innovative technologies in costume design; diversity and inclusion in the film and television industry; and tips on where design students might find opportunities in the Toronto film and television industry. The talk will be hosted by OCAD University’s Dean of the Faculty of Design, Dr. Dori Tunstall. 
 

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Gersha Phillips
About Gersha Phillips

Gersha Phillips' merits an international eye for fashion. Born in England to parents of Caribbean and African descent, she and her family moved to Canada when she was twelve years old. Since then, her work has carried her all over the world. 

Phillips is currently designing for the feature film, “The Woman King” in South Africa, starring Viola Davis, directed by Gina Prince-Bythewood, scheduled to be released in 2022. Phillips is best known for her Costume Design work on the TV series Star Trek: Discovery (2017-2021), for which she won the Canadian Alliance of Film and Television Costume Arts and Design (CAFTCAD) award for Best Costume Design in TV Sci-Fi/ Fantasy in 2021. 

Phillips and her team have been nominated for three Costume Designers Guild (CDG) Awards, an Online Film and Television (OFTA) Award and a Canadian Alliance of Film and Television Costume Arts & Design (CAFTCAD) award. Alongside the seasons of Star Trek: Discovery, Gersha has designed eight Trek Shorts, also streaming on CBS All Access. Phillips was the Consultant on the first four episodes and Co-Designer of episode 101 of the eagerly anticipated Star Trek: Strange New World. After Star Trek: Discovery, rumour has it she’ll beam onto another Star Trek endeavour, keeping her creative energy in orbit for a while to come.  

Phillip's film credits include, but are not limited to, "My Big Fat Greek Wedding 2", “Miles Ahead'', "Life", and "The Mortal Instruments: City Of Bones", which was nominated for a Canadian Screen Award. Limited television credits include "Incorporated", "House of Cards" and “Falling Skies.” Gersha is a member of IATSE 892, 829, and 873 Toronto. Phillips is a founding member of CAFTCAD, the Canadian Alliance of Film and Television Costume Arts and Design in 2008. 

Her costume design work was shown in exhibitions such as Otherworldly: The Art of Canadian Costume Design (2001 – 2012) at the Toronto International Film Festival (TIFF), the 12th Annual Art of Television Costume Design Exhibition (2018) at the Fashion Institute of Design and Merchandising (FIDM) Museum in Los Angeles and in 2022 (dates TBA), Phillips Star Trek Discovery fans will be able to view Phillips costumes live and in person at the Smithsonian Museum in Washington, DC which is scheduled for 2022.

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Dr. Dori Tunstall
About Dr. Dori Tunstall

Dr. Tunstall is a design anthropologist, public intellectual and design advocate who works at the intersections of critical theory, culture and design. As Dean of the Faculty of Design at OCAD University, she is the first Black and Black female dean of a faculty of design. She is a recognized leader in the decolonization of art and design education.  

With a global career, Dori served as Associate Professor of Design Anthropology and Associate Dean at Swinburne University in Australia. She wrote the biweekly column Un-Design for The Conversation, Australia. In the U.S., she taught at the University of Illinois at Chicago, organized the U.S. National Design Policy Initiative and served as a director of Design for Democracy. Industry positions include UX strategist for Sapient Corporation and Arc Worldwide. Dr. Tunstall holds a Ph.D. in Anthropology from Stanford University and a B.A. in Anthropology from Bryn Mawr College.

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Online Event
Cost
Free
Email
bobbyh@ocadu.ca
Phone
(416) 977-6000 x482
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OCAD U is hosting one of the UK’s most influential curators Dr. Zoé Whitley and famed Star Trek Discovery costume designer Gersha Phillips, as part of the President’s Speaker Series featuring BIPOC leaders in art and design.   

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The Mighty Pen Student Initiative Fund
Application Information Session

Join us on Thursday, November 19, 2020 from 3pm-5pm EST for a drop-in information session about the Student Initiative Fund application process. 

Information Session: Thursday, November 19, 2020, 4pm-5:30pm (EST)
Join the information session on Teams

Deadline To Submit Application: Tuesday, December 1, 2020, 12pm (EST)
Submit Applications To: wlc@ocadu.ca 

Are you a BIPOC student, collective or group? Do you have an idea for an online or virtual project that strengthens relations between communities and that responds to ongoing racism during the global COVID-19 pandemic?

Apply for the Mighty Pen Student Initiative Fund to help finance any online initiative that features students who identify as Black, Indigenous or People of Colour. The project can use any textual or visual media to generate stories, artwork and dialogue around social justice and anti-racist practices. Projects that are inclusive of a diverse range of identities and experiences are particularly encouraged this year.
 

Application Process 

Fill out the application form below with details of your project, timeline and budget.
Download the PDF application form here.
 

Adjudication Criteria

Your application will be juried by a committee of OCAD U staff from the Centre for Emerging Artists and Designers (CEAD), Indigenous Student Centre (ISC) and Writing & Learning Centre (WLC), who will evaluate your proposal on the following criteria: 

  • Relevance and Impact 
  • How does this project further you and your group’s creative and professional development? 
  • Does your project fit the mandate and vision of The Mighty Pen? 
  • Does your project impact OCAD U students and reach the wider community? 
  • How does your project address discrimination and racism during COVID-19, strengthen relations between communities, and feature BIPOC voices, experiences and stories? 
  • Equity and Inclusivity 
  • Does your project and group support social justice, equitable practices and include all members as active participants? 
  • Is your project inclusive of a diverse range of backgrounds and experiences? 
  • Feasibility and Accessibility 
  • What is your experience doing similar events and are you collaborating with other individuals, student and/or community groups?  
  • What is your timeline and can your project be delivered in the time proposed? 
  • Is your budget feasible? Have you located other sources of funding and/or revenue? 
  • Is your project accessible to a wide range of audiences with different needs? 
About The Mighty Pen 

The Mighty Pen amplifies the stories and experiences of racialized and underrepresented writers and creators. Facilitated by Phoebe Wang in the Writing & Learning Centre, this year The Mighty Pen invites guest writers and artists who self-identify as BIPOC to share their unique gifts with the OCAD University community through workshops and public events. The Mighty Pen Speaker Series is presented by the Writing & Learning Centre (WLC). It has been made possible by funding from the Ontario Post-Secondary Access and Inclusion Program (OPAIP). Learn more about the Mighty Pen here.

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TEAMS
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FREE
Email
wlc@ocadu.ca
Website
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Department
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Join us for this information session and ask any questions you have about the application process for the Mighty Pen Student Initiative Fund.

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The Mighty Pen speaker series welcomes poet and novelist Noor Naga for an online reading!

Date: Thursday, November 12, 2020
Time: 4pm-5:30
Where: Zoom
Free and Open to the Public 

Across a sea and an ocean, from a port city to a shoreline, Noor Naga shares her transcontinental and transformative work. Please join us for this online reading and conversation.  

About Noor Naga 
Noor Naga was born in Philadelphia, raised in Dubai, studied in Toronto and now lives in Alexandria. She is the winner of the 2017 Bronwen Wallace Award, the 2019 Disquiet Fiction Prize and the 2019 Graywolf Press Africa Prize. Her collection of poetry, Washes, Prays was with McClelland & Stewart published in 2020 and her debut novel American Girl and Boy from Shobrakheit is forthcoming from Greywolf Press in 2022! 

About The Mighty Pen 
The Mighty Pen amplifies the stories and experiences of racialized and underrepresented writers and creators. Facilitated by Phoebe Wang in the Writing & Learning Centre, this year The Mighty Pen invites guest writers and artists who self-identify as BIPOC to share their unique gifts with the OCAD University community through workshops and public events. 

The Mighty Pen Speaker Series is presented by the Writing & Learning Centre (WLC). It has been made possible by funding from the Ontario Post-Secondary Access and Inclusion Program (OPAIP). 

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Venue & Address
Zoom
Email
ell@ocadu.ca
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Department
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The Mighty Pen Speaker Series welcomes novelist and poet Noor Naga for an online reading.

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The Mighty Pen Speaker Series #2
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The Mighty Pen Speaker Series welcomes
Janice Jo Lee, spoken word poet & singer

Date:
Thursday, October 22nd, 2020

Time:
Workshop, 4pm-5pm
Q&A and Screening, 5:30pm-7pm

You are invited to the latest instalment of the Mighty Pen Speaker Series. This edition includes a BIPOC student-focused workshop on artistic vision followed by a Q&A with Janice Jo Lee, performances by student poets and an online screening of Lee’s docu-musical, The Legend of Sing Hey.

BIPOC Student Workshop | 4pm-5pm | Teams
Developing Artistic Vision, Led by Janice Jo Lee
Join us for a creative development workshop for BIPOC students focused on the topic of artistic vision where we will ask: What is my purpose as an artist? and How can I make time and space for art in the rest of my life realistically? Together, with facilitator Janice Jo Lee, we will move through our self-judgement and ego. You will leave with a draft of your artist statement.

Register here.
Join the workshop via Teams here.

Q&A and Online Film Screening | 5:30pm-7pm | Zoom
In the docu-musical The Legend of Sing Hey, poet, musician and educator Janice Jo Lee embarks from Southwestern Ontario on a tour and road trip that connects her with artists, activists, friends and community members who inspire with their art-making and experiences of resilience. Her ancestor songs may inspire your own journeys!

View the film here.
Join the meeting via Zoom here.

About Janice Jo Lee
Janice Jo Lee is a folk-soul singer-songwriter, spoken word poet, actor and playwright of Korean ancestry, from Kitchener, Ontario. As a hard femme queer radical she is interested in using art to build communities based in justice and joy.

About The Mighty Pen   
The Mighty Pen amplifies the stories and experiences of racialized and underrepresented writers and creators. Facilitated by Phoebe Wang in the Writing & Learning Centre, this year The Mighty Pen invites guest writers and artists who self-identify as BIPOC to share their unique gifts with the OCAD University community through workshops and public events.

The Mighty Pen Speaker Series is presented by the Writing & Learning Centre (WLC). It has been made possible by funding from the Ontario Post-Secondary Access and Inclusion Program (OPAIP).

Learn more about the Mighty Pen here.

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Cost
Free
Email
ell@ocadu.ca
Website
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It's My Future (IMFTO)
Branding created by Wolff Olins.

Dr. Dori Tunstall, dean of OCAD University’s Faculty of Design, is encouraging Black, Indigenous and POC youth living in the Greater Toronto Area to get involved in a unique program where they can share their experiences and give the city some advice on how to recover from the COVID-19 pandemic.

“We’re looking for fresh ideas from BIPOC youth, aged eight to 12 years old. This is a great opportunity for them to contribute their voices and insights to the City of Toronto’s Economic and Culture Recovery Advisory Group,” explains Dr. Tunstall, who was appointed to the advisory committee in July, which reports to Toronto Mayor John Tory’s Economic and Support Recovery Task Force.

“In joining this advisory committee, I wanted to show how OCAD University’s design thinking and strategic approaches can bring the voices of the vulnerable to the development of policy recommendations, especially as we face the impacts of COVID-19,” she says, drawing on her experience with her Blackreach program. 

It’s My Future Toronto (IMFTO) is bringing education, industry, government and BIPOC community partners together to provide opportunities for BIPOC youth, aged eight to 12 years, to design Toronto’s recovery from COVID-19 and address systemic racism for the next three to five years.

“The City of Toronto is excited about how the It’s My Future Toronto project could serve as a model for how we might engage marginalized youth in not just telling us about their problems related to COVID-19 and racism, but coming up with fresh design solutions to the future of their city,” says Michael Thompson, Chair, Economic and Community Development Committee and Councillor, Ward 21 (Scarborough Centre).

Through this unique program, up to 100 BIPOC youth will participate in a four-step creative process – report, imagine, make and connect – focused on three main influencers in today’s society: advertising, media and policy.

From mid-September to mid-November, they will be guided through “how-to” videos on the website www.itsmyfutureto.ca, which launches on September 17, 2020, and online workshops by professional journalists, designers, advertisers, community activists, movie directors, and policy experts. 

They will learn how to share their ideas with the government through policy, city decision-makers through journalism, and everybody in the city through advertising. Plus, they will gain practical skills in journalism with the opportunity to have their own stories published in the Globe and Mail, as part of the city’s policy recommendations regarding COVID-19 recovery, or launched in an advertising campaign.

IMFTO partners include OCAD University’s Faculty of Design and the Strategic Foresight and Innovation Program; The Globe and Mail; Microsoft (Minecraft); Juliet Advertising Agency; Sid Lee Advertising Agency, responsible for the Raptor’s We The North campaign; Wolff Olins, which designed the project’s branding; Julien Lutz, aka Director X and OCAD U honorary doctorate recipient; and the City of Toronto’s Economic and Cultural Recovery Advisory Group.

“I am humbled that so many partners from OCAD U, industry, government, and the BIPOC community have joined together in order to provide BIPOC youth with the tools to Report, Imagine, Make, and Connect their ideas to the government through policy, decision-makers through media, and the people through advertising. These youth will be the future leaders of the city,” says Dr. Tunstall.

 

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It’s My Future Toronto (IMFTO), a unique program that provides the opportunity for up to 100 eight to 12-year-old BIPOC (Black, Indigenous, and POC) youth to advise the City of Toronto on how Toronto should recover from COVID-19 and systemic racism for the next three to five years. Participating youth will be given access to powerful tools and people in journalism, advertising, design and policy making to tell their own story of the future they want. Focused on three main influencers in today’s society, advertising, media and policy, the program guides participants through a four-step creative process of Report, Imagine, Make, and Connect. Many partners are involved in this initiative, including Dr. Dori Tunstall, dean of OCAD University’s Faculty of Design, and the City of Toronto.
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On social media, some of you have spoken out about, or shared with each other informally, your experiences of institutional and interpersonal racism at OCAD University. In response, the OCAD U Student Union and OCAD U’s administration (Vice-President, Students & International, Office of Diversity, Equity & Sustainability Initiatives (ODESI), and the Deans) have co-organized a closed forum for only OCAD U BIPOC students, recent alumni from the last four to five years, and the senior administrative team, including incoming President Ana Serrano, to share your truths. We will hold other workshops for non-BIPOC students. 

The intention of the forum on Monday, July 6th from 1:00 p.m. to 3:00 p.m. (Eastern Time) is to gather your stories and set up real strategies to hold the institution accountable for how it can improve the experiences of BIPOC students at OCAD University.

We will ask/solicit two intersectional Indigenous, Black, and POC recent grads and/or current students to share testimonials of your experiences (email me at dtunstall@ocadu.ca ASAP if you are willing to do so), go into break outs for deeper discussions on themes and strategies, come back together to share how we would like to go forward as the OCAD U BIPOC Community, and end in meditation and wellness. We will have both an Indigenous and a Black counsellor on hand in a special break out room for those of us who might need process our emotions during and after the forum. 

There will be no faculty in this forum, although we will follow up with recent graduates who might want to record their testimonials, so that we might use them in anti-racism and anti-oppression training for faculty in the Fall. 

RSVP by Thursday, July 2 at 9 p.m. Eastern Time to info@OCADSU.org, subject line: 'Speak to Power'
A link and password will be send to registrants on Friday, July 3, 2020. 

Dori Tunstall, Dean, Faculty of Design
Stephen Foster, Dean, Faculty of Art
Susan Blight, Acting Dean, Faculty of Liberal Arts and School of Interdisciplinary Studies 
Ashok Mathur, Dean, Graduate Studies

 

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Venue & Address
Zoom (see registration process below)
Email
info@ocadsu.org
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Open to all OCAD U students and recent graduates who identify as Black, Indigenous and People of Colour (BIPOC)

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Dumpling Discourse II Thursday, 11 April 2019 from 11:00 AM to 1:30 PM 

Dumpling Discourse is a professional development circle for BIPOC artists and designers. The focus for these workshops is to provide OCAD students with informal mentorship and guidance, specifically for emerging creative practitioners who experience marginalization, racialization, and under-representation within their respective field of practice.  Mobilization strategies, safety tactics, and lived experiences will be shared over dim sum (Rosewood Asian Cuisine), lead by Basil Alzeri, Ian Kamau, Immony Men, and April Xie. The facilitators of this event will ensure that the design of these conversational spaces are safe, inclusive, and respectful, to ensure that the participants of this workshop are comfortable with sharing their concerns, experiences, and curiosities about employment within academic environments and creative workspaces.

This event is hosted by Public Visualization Lab, with generous support from OCAD University’s Centre for Emerging Artists and Designers, Office of the Provost, Faculty of Liberal Arts and Interdisciplinary Sciences and the Digital Futures Undergraduate Program.

Since these sessions are intended for OCAD students, we will require that you submit your student number, area/year of study, and creative interest in the comment section when you register for this event: https://www.eventbrite.ca/e/dumpling-discourse-ii-tickets-59168715220

Please note that the group will meet at the Centre for Emerging Artists and Designers on Level 3 of 115 McCaul and then walk to Rosewood.

 

Website
https://www.eventbrite.ca/e/dumpling-discourse-ii-tickets-59168715220
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Centre for Emerging Artists & Designers, 115 McCaul St., Level 3
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