Research Projects & Publications
OCAD University faculty and staff engage in a variety of collaborative educational research projects to advance the practice of art and design education and share the results of their scholarly work locally, nationally and internationally.
Current Research Projects
Capturing non-traditional learning as more than a line on a curriculum map
Project team: Joe Lipsett, Beth Hundey (Western University), Karyn Olsen (Western University), Jessie Richards (University of Toronto), Beata Pawlowska (University of Toronto & St. Michael’s Hospital), Jasjit Sangha (University of Toronto), Aron Fazekas (University of Guelph), Kosha Bramesfeld (University of Toronto), Scott Anderson (University of Waterloo)
Curriculum mapping has become common practice in most higher education institutions, occurring at different levels within the institution to serve a variety of purposes. While institutions and governing bodies are increasingly reliant on the results of curriculum mapping, the software and processes associated with mapping often have too rigid a framework. Existing frameworks for curriculum mapping may not capture in meaningful ways learning that occurs outside of coursework, occurs across courses, programs, or other contexts, and/or occurs in informal, non-traditional, or innovative contexts. The purpose of this Council of Ontario Educators’ Caucus (COED) action group is to survey Ontario’s existing program or department-level curriculum mapping processes and outcomes, and to identify ways that curriculum mapping can be improved to capture a wider range of learning outcomes and activities.
Keywords: curriculum mapping, experiential learning, co-op, co-curricular learning
Craft and the “digital challenge”: student experiences of craft and digital technologies in the studio classroom at OCAD University
Project team: Cary DiPietro, Travis Freeman, Lynne Heller, Dorie Millerson, Greg Sims
In the Material Art & Design program, questions regularly arise about what is produced in our studios and whether it can be called craft when one is working with digital tools that appear to produce objects autonomously instead of through embodied making. There is both resistance to and an embrace of digital technologies amongst the community of students, faculty and technicians. Building on a previous research project examining the perspectives of faculty and staff, this study focuses on how students experience and perceive the relationship and possible tensions between digital technologies and craft design and production in the studio classroom, focusing on the benefits and challenges of digital technologies with respect to time, cost, access, health and safety, the affordances of digital technology in relation to innovation, social practice and the variety of ways students learn.
Keywords: craft, design, digital technologies, digital machinery, learning, student experience
Assessing the use and impact of alternative audio and video formats on students’ comprehension of assigned course readings
Project team: Cary DiPietro, Catherine Heard
The research addresses a widely recognized challenge in the classroom: getting students to engage with and complete assigned course readings in ways that enhance their comprehension. While text-to-speech applications and other forms of assistive technology have been shown to benefit students with identified learning needs, the premise of this research project is that all students may benefit from being given options to engage with course readings through alternative audio and video formats. The study will gauge student perception and begin to assess the impact of alternative formats on their reading comprehension.
Keywords: reading comprehension, alternative formats, fair dealing, accessibility
Supporting English Language Learners from the Creative Disciplines in Large Lecture Classes
Project team: Emilie Brancato, Marie-Josee Therrien
Large-lecture format courses present particular challenges for English language learner (ELL) students, especially when the course contains new disciplinary terminology and unfamiliar social and historical contexts, e.g., students from creative disciplines such as environmental and industrial design engaging with design through the lens of history, a discipline with its own theoretical and communicative conventions. This study seeks to identify the specific language learning needs of ELL students at OCAD U, and to assess the effectiveness of using in-class and low-stakes writing activities to scaffold both language learning and deeper engagement with course content in large-lecture courses.
Keywords: English Language Learners, large lecture courses, design education, Writing Across the Curriculum
Thinking through drawing: using conceptual drawing exercises in a foundational first-year drawing studio course to develop critical thinking skills (pilot phase)
Project team: Cary DiPietro, Travis Freeman, David Griffin
The goal of this study is to pilot a series of drawing exercises to begin to gauge how and to what extent drawing as a visual practice can be used to contribute to the development of students’ critical thinking skills in a first-year drawing studio course. While a foundational drawing curriculum will typically focus on observational drawing activities and assignments to help students develop and master drawing skills, the premise being tested is that asking students to engage in a variety of conceptual drawing activities may have benefits in relation to the development of critical thinking skills such as problem-solving, relational thinking and inductive/deductive reasoning. In its pilot phase, the study will inform a larger study design.
Keywords: drawing, critical thinking, metacognition, art and design education
OCAD U Writing Across the Curriculum (WAC) Initiative: Piloting and implementing best practices for developing undergraduate writing competency for art and design
Project Team: Emilie Brancato, Maya Desai, Bonnie Devine, Cary DiPietro, Pariss Garramone, Simon Glass, David Griffin, Anda Kubis, Ranee Lee, Joni Moriyama, Nancy Snow, Saskia van Kampen, Ken Vickerson
OCAD U’s Writing Across the Curriculum (WAC) Initiative supports the development of students’ written and oral communication skills within the disciplines of art and design. This multi-year study involves developing, piloting and implementing writing strategies and resources in order to ensure that implementation of the WAC initiative is appropriate for and responsive to the needs of faculty and students in art and design disciplines, and to produce discipline-specific data, resources and examples. Faculty across multiple disciplinary fields collaborate with writing specialists to design and test contextually-appropriate writing activities and assignments, gather samples of student writing and review samples to evaluate their effectiveness.
Key words: writing, pedagogy, art and design, Writing Across the Curriculum