## Breadcrumb
1. [Home](/index%2Ephp/)
2. Events and Exhibitions
3. [Stories From the Threshold](/index%2Ephp/markdownify/node/4067)
# Stories From the Threshold
Exhibition Alumni Faculty Graduate Student International Student Public Staff Undergraduate Student
Christina Doroshyn, Savannah Garvin, Charlotte Lavoie-Auspert, Tristan McTague, Seamus Neufeld, Derya Ozparlak, Michelle Pratt, Daren Souvannavong
Opening Reception: January 15th, 3:30 – 4:30 PM
Ignite Gallery 100 McCaul St.
January 15 - February 15, 2026
Ignite Gallery 100 McCaul St.
January 15 - February 15, 2026
rgb(255,255,255)
*Stories From the Threshold (2026)* investigates the invisible forces that shape both personal and collective experiences of the liminal, skepticism, and the human desire for meaning of the ineffable. Through these pieces, an exploration of preternatural presence, absence, and transcendent experiences are seen through the traces of what’s been left behind.
Charlotte Lavoie Auspert & Derya Ozparlak exhibit set design, puppets and props from their stop-motion animation, *Frances & Margo,* an intriguing short film exploring sibling dynamics, womanhood, and the breaking of social dynamics through the 1950’s detective noir film genre.
Christina Doroshyn’s *Shadowman* points out the hidden divinity within the mundane, and how it intersects with spirituality to reveal deeper layers of oneself, and life; weaving together images from her life, dreams, and experiences with mysticism.
Savannah Garvin’s *Aura, Anomalies* explores America's enduring infatuation with paranormal phenomena. The material used reinforces this phenomenon's elusive and ambiguous nature, highlighting the tension between belief and skepticism, paranoia and sensationalism.
Tristan McTague’s painting *Wendigo* depicts a Wendigo, an Ojibwe legend, in contemporary times; reflecting how ancient Indigenous folklore fits into modern day.
Seamus Neufeld’s *The Twins (Mummified)* and *What I Eat In A Day* imbues each piece with their emotions and associated memories of this land, specifically in reference to human relationships he has both formed and dissolved here.
Michelle Pratt’s *Playlistening* is a mixed media piece, in which represents her need to use headphones or music to get her through the day, especially when in liminal spaces such as transit stations, or airports.
Daren Souvannavong’s *Porcelain and Ceramic* explores the photographic object as well as the physicality of the photograph and how it recontextualizes its image; composed of neglected items and irrelevant moments.
Blending diverse visual artworks, the pieces exhibited interrogate the elusive experience of the uncanny, prompting a critical inquiry into the nature of the so-called “supranormal” and intangible occurrences; whether they originate from forces beyond conventional recognition and why humans try to rationalize unknown phenomena.
**Curated by Kali Mitres**
Image credit: Seamus Neufeld, What I Eat In A Day, 2025
Please be advised that OCAD U hosted events may be documented through photographs and video. These images may be used by the University for promotional, advertising, and educational purposes. By participating in our events, both on campus and off-site, you consent to allowing OCAD University to document and use your image and likeness. However, if you do not want us to use a photo or video of you or your child, please don’t hesitate to let us know when you arrive at the event. You’re also welcome to get in touch with OCAD University’s Marketing & Communications office: .
Be mindful of those in our community who have scent sensitivities; please help OCAD U maintain a healthy, scent-free campus.