  

 ## Breadcrumb

1. [Home](/index%2Ephp/)
2. <a href="">Events and Exhibitions</a>
3. [Private Lives](/index%2Ephp/markdownify/node/315)
 
  

#  Private Lives 

 Exhibition Public 

 

Artwork exploring the personal, with reflections and introspection that open a door to home life in its many different forms. Featuring work from students in the School of Continuing Studies at OCAD U.

 

 

 

 January 1, 2023 9 a.m. - 9 p.m. 

 

 

  

 

  

 January 1, 2023 9 a.m. - 9 p.m. 

 

 

 

 ![A cement and wood sculpture.](/sites/default/files/styles/16_9_wide/public/2024-06/header_0.jpg.webp?itok=Mfgi2OAZ) 

 

 

 

 

 



<a id="main-content" tabindex="-1"></a> ![](/sites/default/files/inline-images/1_a_AnastasiaTiller.jpeg.jpeg)![](/sites/default/files/inline-images/1_b_AnastasiaTiller.jpeg.jpeg)

[**Anastasia Tiller**](http://instagram.com/frozenpartridgeberry)

*Internal Life of Skippy*, hand hooked rug, acrylic and wool on burlap, 16” x 32”, 2020  
*Daniel*, hand hooked rug, acrylic and wool on burlap, 12” x 20”, 2020

[**Claudia Miatello**](https://whatanextraordinarylife.ca/)

*Friday Night*  
*Home Alone*  
*Happy Birthday*

A private space can be a place of loneliness or one of solace. This collection of art explores the home and domestic life in the big city from the perspectives of a grandmother, pets, and children.

![](/sites/default/files/inline-images/3_IrisWong.jpeg.jpg)

[**Iris Wong**](http://instagram.com/iriswongart)

*Bake, sketch, eat, repeat,* ink and watercolour

Everyone needs a routine.

![](/sites/default/files/inline-images/4_DevikaMathur.jpg.jpg)

[**Devika Mathur**](http://instagram.com/devika_art)

*Ganesha with a Lotus*

![](/sites/default/files/inline-images/5_CherieLeung.png.jpg)

[**Cherie Leung**](http://instagram.com/cherieleungart)

*I can overcome*, acrylic on canvas, 20” x 16”

This piece is about all the things that accumulated and weighed on us this past year at home. I needed to remind myself – I can overcome; we can overcome.

![](/sites/default/files/inline-images/6_NasimSalehi.jpg.jpg)

[**Nasim Salehi**](http://instagram.com/nasimm___salehii)

*Hello to unspoken secrets*, mixed media on canvas, 90cm x 66cm (a series of 9 artworks, each 30cm x 22cm), 2021

As Sadegh Hedayat says, “In life, there are certain sores that, like a canker, gnaw at the soul in solitude and diminish it.” The story of my private life begins when I remove the bandages stuck on my wounds.

![](/sites/default/files/inline-images/7_a_SamDinatolo.png.png)![](/sites/default/files/inline-images/7_b_SamDinatolo.png.png)

[**Sam Dinatolo**](http://samdinatolo.myportfolio.com)

*Children’s Book 1*, digital artwork, 2020

[**Lina Ramona Vitkauskas**](http://linaramona.com)

*I AM NOT YOU ARE*

My 2013 poetry collection, Professional Poetry, featured poems intended to speak to how private citizens/individuals in the US are viewed through the lens of their working identity (their “day” jobs). As a poet and artist, I found myself struggling to localize my place in this structure. I examined the commodification of poetry and the absurdity of “marketing” in this space. This poem was originally not included in the collection, but it seemed a fitting piece to illustrate the metaphorical tug between “contributing” (economic) member of society (consumer) and a waning citizen (unidentifiable in a petri of metrics and forced identity).

![](/sites/default/files/inline-images/9_a_LiliLai.jpg.jpg)![](/sites/default/files/inline-images/9_b_LiliLai.jpg.jpg)

[**Lili Lai**](http://lilylai.ca)

*Porcelain Mirror*, screen-printed ink on glass

Combining my recent thoughts about personal reflection and using my identity as a third culture kid, I wanted to use two clichéd elements to represent my western and eastern culture. The decorative art of the frames and the exported image of Chinese porcelain serves as an exploration of the assemblage of narratives that interplay with my physical and mental landscapes.

![](/sites/default/files/inline-images/10_a_MikeDrolet.jpg.jpg)![](/sites/default/files/inline-images/10_b_MikeDrolet.jpg.jpg)

[**Mike Drolet**](http://michaeldrolet.ca)

*Moon*, wood, cast concrete and twine, 21” x 17” x variable length

The sculptural installation draws attention to the predominant theme of balance to show many independent objects can work together to produce a functioning whole; one that could not exist if even one segment was missing. This method of precariousness balance allows for objects that appear sturdy from materialistic description to become delicate while commenting further on form and function.

![](/sites/default/files/inline-images/11_RaviPersaud.jpg.jpg)

[**Ravi Persaud**](http://ravibrian.com)

*Pam's Purse*

One of the most private places in my home was actually my wife’s purse. She let me open it up and remove all of the items to see the wide array of things these little purses can hold.

![](/sites/default/files/inline-images/12_a_HarryCai.jpg.jpg)![](/sites/default/files/inline-images/12_b_HarryCai.png.png)

[**Harry Cai**](http://harryaocai.com)

*Candid moment during a heated debate at a party*  
*David #3*, watercolour, gouache, 11” x 15”

Good thing I had roommates when the lockdown started.

![](/sites/default/files/inline-images/13_TessieRiggs.jpg.jpg)

[**Tessie Riggs**](http://instagram.com/libraryofrabble)

*Couch Potato*

The year I became an extension of my couch.

[**Camilo Calderón**](http://instagram.com/camiloshoots)

*March 365th*  
Starring: Marcia Díaz and Camilo Calderón

This situation got us into an indefinite time loop. Also, it helped us learn again how to enjoy every little moment of our days.

[**Yushan Wu**](http://yushanwu.net)

*A Day in My Life*  
Credits: Yushan Wu - Director, Photographer, and Performer; Xiaowen Wang - Camera Assistant

A video display of a day in my private life as a young woman during the menstrual cycle. It is personal, yet it provokes criticism and reflections on the social portrayals of women in general.



 

 

 

  

Please be advised that OCAD U hosted events may be documented through photographs and video. These images may be used by the University for promotional, advertising, and educational purposes. By participating in our events, both on campus and off-site, you consent to allowing OCAD University to document and use your image and likeness. However, if you do not want us to use a photo or video of you or your child, please don’t hesitate to let us know when you arrive at the event. You’re also welcome to get in touch with OCAD University’s Marketing &amp; Communications office: <communications@ocadu.ca>.

Be mindful of those in our community who have scent sensitivities; please help OCAD U maintain a healthy, scent-free campus.